inspiration

Editor’s note: At various times throughout my tenure as ISJAC blog curator, and scheduled blogging artist fell through late in the game for any number of reasons, so in that case I would often step in to supply a blog for that month. It’s perhaps poetic that for my penultimate curated blog, I am once more in this position. I promise I did not conspire to do this at a time that coincided with the release of my new album, but here you go. During the pandemic, I, like most of you, was trying to investigate ways I might move forward as an artist once we would all be able to play music together again. For me, part of this came out of regularly playing informally with some friends in my little town of Northfield, Minnesota. Both of these guys had very different musical training than me, but they had an understanding of the electronic side of things that I had never investigated. So in our collective improvisations, I started to experiment with a delay/loop pedal. Now I’ve heard countless horn players utilizing electronics over the years, none more notable to me than one of my most important improvisational influences, trombonist Hal Crook. But I had long resisted going down the pedal rabbit hole, partially because of expense, but also I thought I had enough to focus on as a trombonist/composer/bandleader/etc., that I just didn’t see it as practical to add another dimension to what I was doing musically. But this new sonic experience and the feedback I started to receive when using this new technique on live gigs awakened an interest I had long avoided. When I began to explore these electronic possibilities more deeply, I was concerned I was kind of a poser with so many experienced guitarists…