


John Korsrud: Introduction to Hocketing and Kenny Wheeler’s Last Work

Anthony Branker: Finding the Inspiration to Compose

Erica Seguine: The Power of Patience as a Composer, the Importance of Discernment and Trust, and the Gift of Perspective

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

David Caffey: The Jazz Soli: The Arranger’s Solo

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

You must be a member to view this content.

An Interview with John Clayton

Bob Mintzer: The Ever Evolving Writing Process

Fred Hersch: A Composition Exercise to Try Today

Asuka Kakitani: My personal perspective on composing

Terry Promane: Give Me 5

Bill Dobbins and Concerto for Jazz Orchestra: the Use of a Twelve-Tone Row in a Large Scale Jazz Composition
