Sarah Jerrom analyzes her work talking about instrumentation, orchestration, lyric writing, and the process of combining 17 instruments with 4 voices.
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Ryan Truesdell: Creative growth through self-imposed challenges
Ryan Truesdell reflects on some words from Jim McNeely, his current project, and advice for composers – should you write for big band?
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An Interview with Vijay Iyer
Vijay Iyer talks about interweaving of performance and composing, the impact of collaborators, and touches on grief’s impact while composing in this interview.
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Kenny Berger: Don’t Block the Rear View Mirror
Kenny Berger talks about his pathway to and through composition involving Brooklyn, Duke Ellington, and the BMI Jazz Composer’s Workshop.
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Frank Carlberg: Some Harmonic Strategies In (Jazz) Composition
Frank Carlberg discusses techniques he uses to open up harmonic possibilities for new works with a particular focus on triads, tetrachods, and other harmonic devices.
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John Korsrud: Introduction to Hocketing and Kenny Wheeler’s Last Work
John Korsrud discusses how he uses the compositional technique hocketing in a jazz context as well as Kenny Wheeler’s last large ensemble commission.
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Anthony Branker: Finding the Inspiration to Compose
Anthony Branker discusses some approaches to composition when you’re looking for inspiration including how Copland’s approach, physicality, theory, and the world around us.
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Erica Seguine: The Power of Patience as a Composer, the Importance of Discernment and Trust, and the Gift of Perspective
Erica Seguine discusses the power of patience as a composer, the importance of discernment and trust, and the gift of perspective
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