Bruno Råberg talks about translating tone sets, how he orchestrated for a 10-tet, and balance in composing with tone sets through his analysis of “Erebus.”
To access this, you be a paid ISJAC member. Become a Paid Member.
Neal Kirkwood: Composing With The Mind’s Eye – Translating Image Into Sound
Composer and Pianist Neal Kirkwood dissects his work “Paddy Harmon’s Dreamland Ballroom” looking at imagery and his technical approach to the piece.
To access this, you be a paid ISJAC member. Become a Paid Member.
Erica Seguine: The Power of Patience as a Composer, the Importance of Discernment and Trust, and the Gift of Perspective
Erica Seguine discusses the power of patience as a composer, the importance of discernment and trust, and the gift of perspective
To access this, you be a paid ISJAC member. Become a Paid Member.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.
You must be a member to view this content.