We are excited to introduce ISJAC Launchpad, a unique program designed to support and showcase the new works of both emerging and established jazz composers. Presented in partnership with the Twin Cities Jazz Composers Workshop Orchestra (TCJCW) and 480 Arts, both based in Minneapolis/St. Paul, MN, this initiative offers ISJAC members a one-of-a-kind opportunity to have their new compositions read and heard by a broad audience.

Through ISJAC Launchpad, composers are invited to submit original works to be read by the acclaimed TCJCW directed by JC Sanford. This dynamic ensemble is known for bringing innovative new works to life with their distinctive sound and exceptional musicianship.

Works are selected through an application process (see below) and read during a livestreamed reading session. This program offers composers a valuable platform to gain exposure, receive feedback, and connect with other jazz composers and arrangers.

Eligibility & Guidelines

 - Open to all current members of ISJAC.

 - Submissions should be orchestrated for standard 17-piece jazz orchestra (5 saxes, 4 trumpets, 4 trombones, guitar, piano, bass, drum set). Soprano sax, flute, and clarinet doubles available for alto and tenor sax chairs; bass clarinet, clarinet, and flute on the bari chair. Electric keyboard and bass are also options.

 - Submissions should be no longer than 8 minutes in duration.

 - Composers should submit their scores and parts in PDF format via submission portal below by August 15th, 2025 to be considered for the September 7th  session.

- Composers must be available via livestream between 3:30-6:30pm ET on the day of the session.

-Each applicant may only submit ONE composition for consideration.

Adjudication:

- Applications will be screened for playability, notational legibility, as well as creativity and compositional craft.

 - A 3-person panel of highly regarded, professional jazz composers will serve to review and select up to 6 compositions per reading session.
Each reading session will feature at least one Minnesota composer and one student composer. The two don’t need to be mutually exclusive.

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