Ryan Truesdell reflects on some words from Jim McNeely, his current project, and advice for composers – should you write for big band?
Anthony Branker discusses some approaches to composition when you’re looking for inspiration including how Copland’s approach, physicality, theory, and the world around us.
Erica Seguine discusses the power of patience as a composer, the importance of discernment and trust, and the gift of perspective
Ben Kono discusses how activism can be used as a unifying compositional theme through his works “Don’t Blink” and “Voyages.”
Brian Krock discusses a recent bout of “writer’s block,” what he understood it to be caused by, related to, and how he approached his most recent project after his debut large-ensemble album.
Rufus Reid reflects on preparation in his latest endeavor with the WDR Big Band and his advice for other writers in this arena.
Jason Palmer reflects on his path to developing his craft as a jazz composer, how it interfaces with improvisation, and some practicalities of performing original music.
Jihye Lee reflects on her career path from pop to jazz and how creativity is a reflection of life.
John La Barbera distills down techniques, processes, and gives in depth analysis on the art of arranging.
David Caffey frames some techniques he uses in soli writing along with giving examples and explaining his decision making process and the origin for the techniques he uses.
