Omar Thomas reflects on the process he took in making his latest Big Band album talking logistics, advice, and the process itself.
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Omar Thomas reflects on the process he took in making his latest Big Band album talking logistics, advice, and the process itself.
Greg Ward discusses various project that grew out of collaboration with other disciplines, the process, the impact, and how it continues to impact him.
The process of recording a big band and everything that comes after – Tracy Yang discusses the process of her album “OR” from writing to release.
Bruno Råberg talks about translating tone sets, how he orchestrated for a 10-tet, and balance in composing with tone sets through his analysis of “Erebus.”
Ryan Truesdell reflects on some words from Jim McNeely, his current project, and advice for composers – should you write for big band?
Vanessa Perica reflects on adapting material from her big band album for her first symphonic commission.
Vijay Iyer talks about interweaving of performance and composing, the impact of collaborators, and touches on grief’s impact while composing in this interview.
Writing the same song over and over – the problem and an approach to working through it…Patrick Cornelius discusses this in his own small group music.
Ed Palermo reflects on his path in the practice of arranging through Zappa, the Beatles, Coltrane, and others developing his taste and preferences around his peers.
Angel Bat Dawid muses through the deep-rooted compositions of the BLK diasporic consciousness, unraveling the rich history of “Great Black Music.”
Kenny Berger talks about his pathway to and through composition involving Brooklyn, Duke Ellington, and the BMI Jazz Composer’s Workshop.
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