On April 1st, 2020, the International Society of Jazz Arrangers & Composers welcomed Claire Brantley, Terri Lyne Carrington, and Miho Hazama to its Board of Directors. Brantley, Carrington, and Hazama will contribute extensive professional experience and vision to the Board and organization at large.
They will join current Board members David Caffey, John Clayton, Brian Coyle, Christine Jensen, James Miley, Chuck Owen, Rufus Reid, Ellen Rowe, Dave Stamps, and Ryan Truesdell.
Claire Brantley earned the BA and MA in English Literature before joining Harcourt Brace Publishers as a junior editor of college textbooks; she developed Frank Tirro’s Jazz Appreciation textbook in addition to many others. She was promoted to a position as a book rep with the sales division of Harcourt. She eventually earned the role of Vice President for Sales at Pearson Education, the world’s largest educational publishing company, where she managed a team of 45 sales reps/managers and over $150 million in revenue.
While a Pearson Sales VP, she also served as the Managing Editor for the International Trombone Association Journal, redesigning and redeveloping the quarterly journal with a team of volunteers as staff. She left Pearson in 2013 to return to editorial work at McGraw-Hill Education, where she served as Executive Portfolio Manager for the Social Sciences. In May 2020, she joined the market research firm of Partner in Publishing as Executive Marketing Manager.
Claire has previously served on the board of the Tampa Metropolitan Youth Orchestra, leading the group’s social media and fund-raising efforts. She is married to trombonist Tom Brantley, and they live in Tampa with their 20-year-old son Carter. Golden retriever Archie and miniature schnauzer Wolfie complete their family.
Celebrating 40 years in music, three-time GRAMMY® award-winning drummer, producer, educator and activist, Terri Lyne Carrington started her professional career in Massachusetts at 10 years old when she became the youngest person to receive a union card in Boston. She was featured as a “kid wonder” in many publications and on local and national TV shows. After studying under a full scholarship at Berklee College of Music, Carrington worked as an in-demand musician in New York City, and later moved to Los Angeles, where she gained recognition on late night TV as the house drummer for both the Arsenio Hall Show and Quincy Jones’ VIBE TV show, hosted by Sinbad.
In 1989, Ms. Carrington released a GRAMMY®-nominated debut CD on Verve Forecast, Real Life Story, and toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the GRAMMY®Award-winning album, The Mosaic Project, featuring a cast of all-star women instrumentalists and vocalists, and in 2013 she released, Money Jungle: Provocative in Blue, which also earned a GRAMMY®Award, establishing her as the first woman ever to win in the Best Jazz Instrumental Album category.
To date Ms. Carrington has performed on over 100 recordings and has been a role model and advocate for young women and men internationally through her teaching and touring careers. She has worked extensively with luminary artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Cassandra Wilson, Dianne Reeves, James Moody, Yellowjackets and Esperanza Spalding, and many more. Ms. Carrington’s 2015 release, The Mosaic Project: LOVE and SOUL, featured performances of iconic vocalists Chaka Khan, Natalie Cole, and Nancy Wilson.
In 2003, Ms. Carrington received an honorary doctorate from Berklee College of Music and was appointed professor at the college in 2005, where she currently serves as the Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, which recruits, teaches, mentors, and advocates for musicians seeking to study jazz with gender equity as a guiding principle, and asks the important question, “what would jazz sound like in a culture without patriarchy?” She also serves as Artistic Director for Berklee’s Summer Jazz Workshop, co-curator for BAMS Fest, and co-Artistic Director of The Carr Center, Detroit, MI.
In 2019 Ms. Carrington was granted The Doris Duke Artist Award, a prestigious acknowledgment in recognition of her past and ongoing contributions to jazz music. Her current band project, Terri Lyne Carrington and Social Science (a collaboration with Aaron Parks and Matthew Stevens), released their debut album, Waiting Game, in November, 2019 on Motema Music. Galvanized by seismic changes in the ever-evolving social and political landscape, Waiting Game expresses an unflinching, inclusive, and compassionate view of humanity’s breaks and bonds through an eclectic program melding jazz, R&B, indie rock, contemporary improvisation, and hip-hop.
Both Waiting Game and the Berklee Institute of Jazz and Gender Justice point to Carrington’s drive to combine her musical passion with her profound regard for humanity. Waiting Game is not the first time that Carrington has addressed her concerns for society, though it is the most direct and impactful. The subjects addressed on Waiting Game run the gamut of social concerns: mass incarceration, police brutality, homophobia, the genocide of indigenous Americans, political imprisonment, and gender equity.
“In previous projects I’ve hinted at my concerns for the society and the community that I live in,” Carrington says. “But everything has been pointing in this direction. At some point you have to figure out your purpose in life. There are a lot of drummers deemed ‘great.’ For me, that’s not as important as the legacy you leave behind.”
Grammy-nominated composer, Miho Hazama is one of the most promising and talented composers/arrangers of her generation. Lauded in Downbeat as one of “25 for the Future”, Miho developed her signature jazz chamber orchestra “m_unit”. Now having 3 full length releases on Universal Music Japan/ Sunnyside Records, Miho has written for and expertly showcased the abilities of guest artists such as Joshua Redman, Lionel Loueke, Stefon Harris, and Gil Goldstein, to name a few. Her debut album “Journey to Journey” received the Jazz JAPAN rising star award, and she has been featured in such influential publications as Downbeat, The New York Times, NPR, JazzTimes among others.
Composition is her true calling, and in addition to her effort with m_unit, she has created works for many different musical contexts. Most notably, she has composed for Tokyo Philharmonic Orchestra, Ashley Bouder Project Ballet Company, Yamaha Symphonic Band, to name a few. Miho became a composer in residence of Siena Wind Orchestra in 2017, and she is a composer of the year 2019 of Orchestra Ensemble Kanazawa.
In 2019, Miho took up a post as the chief conductor of Danish Radio Big Band after Thad Jones, Bob Brookmeyer and Jim McNeely, to name a few. Besides DR Big Band, Miho has worked as a conductor with Metropole Orkest, WDR Big Band and Bohemian Caverns Jazz Orchestra, to name a few. She is also the Associate Artistic Director of the New York Jazzharmonic.
As an arranger, Miho has worked for many ensembles for concerts, recordings, television and film, including Ryuichi Sakamoto, Vince Mendoza, NHK Symphony Orchestra, Shiro Sagisu and many more.
Miho’s awards and honors include the Charlie Parker Jazz Composition Prize (2015), 24th Idemitsu Music Award (2014), ASCAP Young Jazz Composer Award (2011). She has a degree in classical composition from the Kunitachi College of Music and a masters degree in jazz composition from the Manhattan School of Music.